4/5/2023 0 Comments Simple delay pluginUsing a fair degree of Tape, pushing down the highs, and rolling off some of the lows with the filters resulted in a smoothly saturated yet unobtrusive effect. On an Americana-like track, I got great results using Comeback Kid to add sustain and character to some slide guitar parts. The transient shaper dramatically alters the delayed sound by shaping the onset and the tail of the delay. They’re also useful as effects in and of themselves. The ‘analog’ Lo and Hi filters are well implemented, letting you carve out frequencies so that the delayed signal sits more comfortably in a mix. Between Cheap, Tape, and filter tweaking, a lot of great vintage sounds are at your fingertips with Comeback Kid. Lower resolution in a delay signal creates a subtle and dreamy effect that’s very pleasing to my ears. It’s still in use in my studio today due to its gloriously rounded sounds. The very first digital delay I ever owned was a 12-bit Boss DE 200 rack-mount unit. With the Comeback Kid Tape control, and by tamping down high frequencies with the Hi filter, I was easily able to dial in sounds that were very reminiscent of that beloved but cranky device. I’ve owned a lot of hardware delays in my life, starting with a tape-based Watkins Copicat. Just like the Baby Audio I Heart NY plugin, by tweaking the controls it’s easy to get good results quickly, including some unique, ear-popping effects. The Pan knob pans the delay to the right or left, and rounding out the controls is a Mono toggle (bet you can figure out what that does).Ĭomeback Kid is a blast to use. Similarly, a Richer control adds pitch variations akin to a chorus effect. The Stereo section has a Wider knob that adds L/R time variations to give the impression of a deeper sound field. You really need to play with them to understand the effect-it will be well worth the effort, trust me. These do things to the delayed signal that I’ve never encountered in a delay plugin before. These are followed by a transient shaper with attack and sustain controls. There are a pair of analog-modeled high cut and low cut filters. The Shaper section lets you further sculpt the delayed sound. Since many of us typically place a reverb right after the delay in our effects chains, this is a welcome and CPU-friendly feature. The Sauce control adds a simple, nice-sounding reverb to the delayed signal. The Swirl knob progressively adds pleasing analog-modeled wow and flutter artifacts, extending the vintage tape vibe. At 100%, noticeable distortion and hiss are induced. As you rotate it, the sound becomes more saturated. The result is gloriously grainy mid-fi delays that are less pristine than the dry signal. This bumps down the digital bit rate to 11 bits to mimic early digital delay units. The first control is a toggle labeled Cheap. The Flavor section allows you to adjust the delay sound in sonically interesting ways. The output section is rounded out by a Destiny knob, which I will circle back to after I outline some of the other unique features of this plugin. This allows the dry signal to dominate while playing the delayed signal blooms and becomes more apparent between the notes, for a less cluttered and much more subtle effect. As with a sidechain compressor, the delayed signal is attenuated or ‘ducked’ by the signal feeding the plugin. The direct and delayed signals are controlled by separate knobs, which is a nice touch, providing a little bit more flexibility than the standard blend control on most time-based plugin processors.Ī ducking knob adjusts how the dry signal interacts with the delayed signal. The lower right-hand portion of the display is dedicated to output controls. The Feedback knob controls the number of repeats, and there’s a toggle switch for going into to ping-pong mode. Up to 2.5 seconds of delay is available, and delays can be in straight, dotted, or triplet feel. The Time knob can be set to milliseconds or synced to project BPM in increments ranging from 1/64 to whole notes. The Delay control occupies the center of the plugin along with the other principal controls. The GUI is laid out with five clusters of controls: Shaper, Delay, Flavor, Stereo, and Output.
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